Tag Archives: Thoraiya Dyer
Aurealis Shortlist
The shortlist for the Aurealis Awards was released into the wild this morning and I’m delighted to see that “No Good Deed” (New Fears 1, Titan Books) is on the list for Best Horror Novella and “The Little Mermaid, in Passing” (Review
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Crossroads of Canopy: Thoraiya Dyer
Thoraiya Dyer is an Aurealis and Ditmar award-winning, Sydney-based writer and lapsed veterinarian. Her short science fiction and fantasy has appeared in Clarkesworld, Apex, Cosmos, Analog and various Australian and US anthologies. Four of her original stories
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Focus 2014 Interviews: Thoraiya Dyer
Photo Credit – Cat Sparks
Today, the delightful Thoraiya Dyer talks about her Focus 2014 tale, “Wine, Women and Stars”.
What was the inspiration for this story?
The inspiration for “Wine, Women and Stars”
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Fablecroft’s Focus 2014: highlights of Australian short fiction
Fablecroft have released the ToC for their Focus 2014: highlights of Australian short fiction and I’m happy to say that “St Dymphna’s School for Poison Girls” is getting another outing, and in very good company too!
St Dymphna’s School for Poison
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The Year’s Best Australian Fantasy and Horror 2013
Ticonderoga Publications has released the Table of Contents for their latest volume of The Year’s Best Australian Fantasy and Horror 2013, which contains many excellent works of Oz speculative fiction. I’m fortunate that they’ve also picked up my tale “Flight”,
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Canterbury 2100
So, back in 2008 the inimitable Dirk Flinthart edited a tome called Canterbury 2100, which essentially walked in the footsteps of Chaucer’s Canterbury Tales, only with more science fictiony bits and better, more comfortable shoes.
The blurb? So
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Sydney Weekender
View from the Intercontinental
I’ve returned from a wonderful weekend in Sydney. Having lived there for four years at one point it was a bit weird to find that this time I felt like a foreigner there. Don’t
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You should go to …
… Clarkesworld and read “Sweet Subtleties” by Lisa Hannett, for it is awesome and awful and wondrous and wrong and delicious.
Javier calls me Una, though I’m not the first. There are leftovers all around his studio.
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