Category Archives: On Writing: General
… I talk about online presence for writers in Online Presence: Pros, Perils and Possibilities. Thanks to Dr Donna Hancox for the opportunity to opine!
I often hear newer writers (of varying ages) say they want their writing to speak for itself. They’re filled with disdain for publishers who look for an online
We, now that the final tweaks are on Vigil and it’s off on its journey, there’s no reason not to start writing the sequel. Corpselight is the second of the Verity Fassbinder books. The first draft of the opening is below.
by Angela Slatter
She took a longish time getting
When Alisa approached us about doing one of the Twelve Planets, we readily agreed. Then, having sprung her trap, she added “But make it more science fictiony.”
Cue Mo Szyslak from The Simpsons … “Whaaaaaa?”
Undeterred, and a little heavy of heart, we two dark fantasy and horror girls trundled away dragging our feet.
So, a some weeks ago I sat in the audience at a writing salon (i.e. a few writers who’d already been to the pub beforehand then staggered to a bookstore and talked about writing) and listened to a discussion of how people work.
More specifically, how writers divide their time between the writing
And now, a word from our publisher, the delightful Simon Marshal-Jones, on what inspired the genesis of Spectral Press, why and how the Spectral Book of Horror Stories came about, and the future of horror.
1. What inspired you to start up the Spectral Book of Horror series?
Two things: first, my own experiences
In which I talk to myself, quite legitimately, so the Men in White Coats cannot take me away – although my Significant Other is giving me some strange sideways looks. My Spectral Book of Horror tale is “The October Widow”.
1. Can you remember the first horror story