Tag Archives: Kirstyn McDermott
Over at This is Horror …
… the rather delightful Mr Brown has listed his 10 Must Read Australian Horror Writers.
He’s been kind enough to put me in there and I’m in some wonderful company – go on, click the link and check
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Xoum, Xoum, Xoum
Sorry, couldn’t resist. But look!
Two new titles from the punchy digital press Xoum.
On the left,
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As I work …
… I’m listening to this, which is Jason Nahrung and Kirstyn McDermott talking about gothic stuff, horror, writing, and reading with one’s ears.
Coincidentally, they’re two of my favourite gothic-flavoured writerly folks.
Huzzah!
Thanks, Joy
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Talkfest at The Writer and the Critic
Yes, ’twas the night before Continuum 8 and the Writer and the Critic 
team of Read more…
A big shout-out …
… to Logan North Library and their celebration of Science Fiction & Fantasy month.
They’ve turned their elevator into a Tardis, the entrance into a Stargate, build a fairy tree and grotto, have a HUGE display of mint-in-box action
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Pack your black: Darkness Downunder Horror and Dark Fantasy Writing Panel
And so on 11 August I get to appear on a panel with two of my fave writers and dearest friends at Logan North Library as part of the Logan Sci-Fi and Fantasy Month. Huzzah! Details below:
Where: Logan
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Continuum 8
So, yesterday I managed to stay awake long enough to participate in QWC’s So You Want to be a Writer seminar, ably chaired by Aimée Lindorff. The two more awake panellists were the delightful and delovely Chris
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At long last …
… for many years I have yearned for a pair of Docs.
For the last couple of years, I have covetted those belonging to the Duchess of Darkness, Kirstyn McDermott.
I finally got a pair.
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Tuesday Therapy on, err, Wednesday
Forgive me. In my defence I was somewhat distracted by sleepless haikus.
Lisa Hannett givesAdvice on the obsessiveFrom La K McD.
See what I did there? Sorry, tired again.
Go here.
If you only listen to one Writer & Critic this year …
… make it this one – Kirstyn and Ian talk about Lisa Hannett’s Bluegrass Symphony and Robert Shearman’s Everyone’s Just So So Special.
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