Tag Archives: verity fassbinder
Corpselight …
… so, as you know we’ll be launching Corpselight, the second of the Verity Fassbinder books, on 14 July at the Brisbane Square Library.
Pulp Fiction Booksellers will be doing the selling of books that night (obviously),
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Corpselight
Well, the cover blurb’s out there, so …
Life in Brisbane is never simple for those who walk between the worlds.
Verity’s all about protecting her city, but right now that’s mostly running surveillance and handling the
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Corpselight Cover
Nah, not really. Just messing with you.
Sorry.
I’ve seen it, though! You’ll see it soon.
ARC! ARC in my hands …
… albeit briefly.
I met with the delightful Sean and Kathie from Hachette yesterday to talk about Vigil and bookstores and appearances and stuff.
Sean had an ARC with him and I got to pat it it and cuddle it before I had to hand it back so it could be used
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New Work: Corpselight
We, now that the final tweaks are on Vigil and it’s off on its journey, there’s no reason not to start writing the sequel. Corpselight is the second of the Verity Fassbinder books. The first draft
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Here Today
The start of the my 24HrBook story, Here Today:
One, two, three, four.
Beat, two, three, four.
A dirty beat, a lazy beat, a beat to settle itself beneath your skin and wriggle around for a while. The homeless guy beneath
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Snippetry
I have seen the cover of LL Hannett’s Bluegrass Symphony from Ticonderoga Press and it is truly squeeeee-worthy.
I have finally seen the start of Peter M Ball’s work-in-progressĀ Black Candy and I predict a Tiptree.
I read Tansy Rayner Roberts’s Siren BeatĀ from Twelfth Planet Press and am very excited about the forthcoming Nancy Napoleon novel.
I wrote another 3000 words on the
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Good Lord, Where Have I Been?
Struggling, I think.
The deadline to get Brain’s and my pieces in for Steampunk Reloaded was so tight … how tight? It was like trying to shoehorn an elephant into a narrow-fitting stiletto.
Sooo, when we finished and sent it off, the sense of enormous satisfaction lasted about a day … then the sense of “shouldn’t I be writing something really fast
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